Review: Kalvkött, beef, a moving and lucid fantastic play about the pain of exile
In the history of humanity, exile has been one of the most severe and cruel punishment that distributed the powerful to their opponents, depriving a person to live in the soil that elected or birthplace, involves stripping of freedom and of their bond, move its scope, tear the roots. Mutilate.
Silvina's play Chague, Kalvkött, beef, places the drama of the difficult political persecution and forced assimilation of exile, have occurred shortly after the 1976 military coup in Argentina
Unlike other works, the text wallows in sentimentality, nor falls into the commonplace of ideological or demagogic arguments. In this way, can excite and captivate any viewer who has been affected by the distance from one or more loved ones, even though this situation is caused by economic progress, social or professional in countries offering better opportunities than the original.
Here, the action raised in Stockholm, where the young Mary (very well taken by the ascending Belén Brito), belonging to a middle class family travels to Buenos Aires to protect themselves from possible reprisals by his political activism. In Sweden, he met a doctor, Pieter-the increasingly robust wheel-Nelson, who will help you learn the local language, as she does the same with Castilian.
The difference in languages \u200b\u200band language peculiarities that lead to the Scandinavian peninsula other refugees from Latin America, reflecting a daily conflict, but profound adaptation. Or to be more precise, painful.
Although at times, thanks to the text of Chagas disease, the placing of Corina Fiorillo, and the strong performances of 4 actors, the mood-as the episode of the mother of Mary in the Swedish customs with packages of yerba mate, or covered by a market for the "socialist" seeking peceto Stockholm, "serves as temporary wound healing to these cultural and social.
Love also plays a predominant role in Kalvkött. Although, of course, not limited to the romance that evolves between Pieter and Maria, but shows the many facets such as parent-child unconditional love, and even love the things, smells, customs, not can be buried. Corina In addressing perceived Fiorillo remarkable growth, the fruit of his tireless pursuit, her passion for theater, and the communion that achieved with the performers.
It is clear that you enjoy working with Brown and Nelson Belén Rueda-with whom they already had in the cast of the critically acclaimed destination Unhappy delight, "as well as with Susana Di Geronimo, Alejo Mango, with whom he shared what was, More Big-Bang with Mango.
boosted director showcasing the quartet and forced in some situations unfolding in another secondary character (eg, Rueda customs agent or partner of the sister of Mary).
O 2 scenes simultaneously mounted a major impact, as is the case with the mass on the table hitting the girl in exile in a country of eternal night or day, and his mother in a gray city, sad, who survived a bloody dictatorship . One of the most moving moments of the play
Photos Stockholm and Buenos Aires that are used as background in various scenes as well as incidental music and lighting, are an invaluable creative input.
Sponsored by the Embassy of Sweden, the very good Kalvkött, beef, you can see from the June 19 every Saturday at 21 and Sundays at 20:30, at the Teatro del Nudo, Corrientes 1551. Posted by Marcelo Mendieta
- http://elinformatorio.blogspot.com/2010/06/critica-kalvkott-carne-de-ternera-una.html
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