Kalvkött, beef is a tribute written by the writer Silvina Change the exiles in the late 70s in the Swedish characters in a tender that love a refugee in Argentina.
Opens the work with a voice that puts the viewer in the drama of exile. This is a topic often treated in theater but in this case is told in a friendly tone without resentment or hate-filled cries. On display are the facts, the pains, joys, sufferings, struggles, accomplishments, family and love that solves everything. A kind of Stockholm syndrome in reverse where the refugee falls in love with his savior.
The performances are flawless. The Swedish Pieter Nelson of wheel is very credible. Shows both admiration and bewilderment and incomprehension of the culture of his beloved personified by Belén Brito. Mary is a girl of just 21 who must leave to escape the country and is lost in such a different culture and achieves very slowly adjust to this world with the help of that unconditional love.
is to highlight the performance of Alejo Mango having two characters: a very expressive and Chilean father of the refugees. Perhaps the sad character that carries over to the surface. Represents a generation frustrated in its attempt to improve the country. And is to praise the work of Susana Di Geronimo Argentina as a typical mother of the time.
The scenery and the changes will lead with grace and are relevant, the projections may fail trying to make a landscape to work no longer required. Distracted and do nothing but instead detract from the quality of implementation.
Chiquitita you and I know that the penalties come and go and go
going to dance again, and you will be happy
like flowers that bloom.
"Chiquitita," Abba, 1978
Great music that gives a fresh air that helps to understand a tragedy of such dimensions that we live in our country. Http://www.culturar.com/notas.php?id=2776&PHPSESSID=31778d376a77b8d3deaf990faef841e7
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