very good job of Alejo Mango, Susana Di Geronimo, Belén Rueda Nelson Brito and
For some cultures, exile is almost worse than death, for others is a way to avoid death. This last exile, which is lived by force majeure, which have experienced many Argentines who were forced to settle abroad, without understanding what it meant to be inserted into a different culture, tradition, customs and foreign language competence the same meanings. About this talk Kalvkött
, beef on a girl's exile in Sweden, Argentina, a country that offered political asylum, his rebellion against everything foreign, his longing for the sounds, scents, affections.
From the beginning of the show, describes the origin narrative text, and with this feature unfolds the story of the protagonist: his encounter with a Swede responsible for teaching the language, the long-distance relationship with parents and the difficulty language and culture to fit into another world, another reality, very different from the air, the South American flavors and colors. Actions
intense
The narrative of a work runs the risk of difficulties of placing the continuity that requires each of the scenes, which does not always find a successful resolution and sometimes we must resort to markings somewhat forced, as the presence of actors in a static way, back and darkened to allow the development of another scene that is played almost simultaneously. But this time, Corina Fiorillo gives it a very precise rhythm and helps to adjust the time, the projection of large images that represent sections of Stockholm and Buenos Aires and, above all, the interpretation, by Bethlehem Brito, Susana Di Geronimo, Alejo Mango and Nelson Wheeler.
In this sense, the text allows the showcasing of individual actors, very well marked, most playing two different characters, which does not lack the tenderness and emotion situations they have lived and are easily recognizable to viewers. Susana Freire
http://www.lanacion.com.ar/nota.asp?nota_id=1281360
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